![]() On a whiteboard easel, he sketches different examples, explaining how the shape of a head can convey personality. Half hipster, half camp counselor, he sports thick-rimmed glasses and a thicker beard, a newsboy hat, and a pair of calf-high, striped tube socks that look straight out of Stranger Things. This exhibit, instead, focused on how the company progressed following Jim’s death, displaying items from Dog City (a segment of one of his last projects, The Jim Henson Hour, and later used in the Saturday morning FOX TV series of the same name) and puppets created for a recent commercial project the company did for the Southern fast-food chain, Krystal.Ī poster near the exit provides a summary as to the current status of Henson’s creations: Jim Henson Company, The Muppets, Sesame Street, The Jim Henson Legacy, and The Jim Henson Foundation.On this Tuesday afternoon, puppeteer Jeffrey Zwartjes is talking to a roomful of curious tweens about how to invent a character. These told the story of the lasting impact Henson had on the world, highlighting groundbreaking work in digital graphics and robotics as well as showing us how the “classic” characters continue to live on. The last room of the Henson Collection was meant as a tribute to Henson’s legacy, though we felt it didn’t quite capture his legacy as much as the Jim Henson: Imagination Unlimited exhibit and The Museum of the Moving Image‘s Jim Henson Exhibit did. So Kermit doesn’t get lonely, Miss Piggy is also nearby This one was used on Muppet Treasure Island (1996) which is obvious from her tribal costume, playing the role of Benjamina Gunn in the film. These two are well-preserved and have been with the Center’s collection since before the 2015 renovation. Julius Strangepork and Captain Link Hogthrob are indeed screen-used, built for The Muppet Show in 1977. It would be nice if the placards had some insight as to where these guys came from and what they were used for – perhaps Henson recordkeeping didn’t track details for this type of thing… I digress.ĭon’t worry though, the stars of Pigs in Spaaaaaaace are here Dr. Even though they were never performed as puppets, they still look beautiful in-person. Teeth and Robin are both labeled as “display puppets”. Similar to Big Bird, however, the Kermit here is labeled as a “photo puppet” from the mid-1970s (assumably used in still photography shoots and not actually performed as a puppet – hence the legs on this one). Highlights here include Kermit (of course), Dr. He purchased it in 1966 and kept it on display in his New York City office. The paper-mache light-up moose head hanging above was a personal favorite of Jim’s. Family photos line the walls among a shelf of awards with letters, books, and trinkets strewn about. – John Stark, People Magazine (July 1989)įurther down we see a scene of an office desk representing Jim’s personal life, work life, and interests. “Jim Henson… has an imagination that flows like lava from a psychedelic volcano.” ![]() The version on display here was used in a series of IBM training videos in the 60s. Rowlf was conceived in 1962 to be used in a series of dog food commercials but gained national stardom as a regular on The Jimmy Dean Show in 1963. Next, we find tributes to the earliest Henson collaborators, Jerry Juhl, Frank Oz, and Don Sahlin, along with the next puppet on display: Rowlf the Dog. A vintage TV plays clips from the show on loop, so you can see him, and other 1950s Henson puppets in action. ![]() This is where we get a glimpse of the first puppet of the exhibit on display: the original 1955 Omar puppet built by Henson for his first TV stint, Sam and Friends. First Jim and his wife Jane and their early commercial projects. The first thing we see inside the space is an introduction to the performers. Instead of following a strict chronological flow like the traveling Jim Henson: Imagination Unlimited exhibit and The Museum of the Moving Image‘s Jim Henson Exhibit, displays here are grouped by theme.
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